New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

New York University's independent student newspaper, established in 1973.

Washington Square News

All Lights, Everywhere provides a  stunning and insightful commentary on the development of cameras, and surveillance. The film delves deep into how the images produced are shaped not only by the camera but the people behind the lenses. (Image courtesy of NEON Productions)

‘All Light, Everywhere’ offers an enlightening viewing experience

Theo Anthony’s documentary on surveillance, policing and the strange relationship between the development of guns and cameras will close out this year’s New Directors/New Films Festival.
Nicolas Pedrero-Setzer, Arts Editor May 3, 2021

Theo Anthony’s “All Light, Everywhere” is that rare type of film that forces viewers to reappraise their reality. It chips away at viewers’ preconceptions of authority...

The Mirror is a 1975 Russian film directed by Andrei Tarkovsky, following a dying man in his forties as he remembers his past. There is a new restoration of Andrei Tarkovskys The Mirror at the Lincoln Center. (Photo Courtesy of Cinetic Media)

The recent restoration of ‘The Mirror’ and the need to resurrect cinematic discourse

Although movie theaters have reopened, film culture remains stagnant. A recent trip to experience Andrei Tarkovsky’s “The Mirror” at Lincoln Center revealed how issues of isolation currently threaten cinematic discourse.
Nicolas Pedrero-Setzer, Arts Editor April 27, 2021

It seems silly to write about Andrei Tarkovsky’s “The Mirror” after so much has been already said about his seminal masterpiece. It seems even sillier attempting to add to...

Now playing at Lincoln Centers virtual cinema, Demonlover serves as a critique of cyberpolitics. (Staff Illustration by Susan Behrends Valenzuela)

‘Demonlover’ Review: Assayas’ violent, sex-driven commentary on media falls short

“Demonlover” by Olivier Assayas is currently playing at Lincoln Center’s virtual cinema. Recently restored, the film still stands as a venomous critique of cyberpolitics.
April 5, 2021

By: Nicolas Pedrero-Setzer Olivier Assayas’ “Demonlover” is many things, but it is not boring. Running along at breakneck speed as it hops from one continent to the next,...

Lee Morgan, the legendary New York jazz trumpeter, poses with his wife and murderer, Helen More. The new documentary by Kasper Collin, “I Called Him Morgan,” retells the life of the musician.

Jazz Meets Murder in Documentary

Daniella Nichinson, Staff Writer March 20, 2017
Opening soon at the Film Society at Lincoln Center, "I Called Him Morgan" gives proper credit to one of the most tragically underrated jazz trumpeters, Morgan Lee, whose life was cut short at age 33 when his wife shot him during a show in the East Village.